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ArtMarket® Insight - what's trending on the art market

Artprice's Latest Report

ArtMarket® Insight contents

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Who leads the global art market? [28 Aug 2003]

Now there are not one, but two, leaders in the art world. In the first half of 2003 New York and London shared the honours, both with market shares close to 36%. In July, London actually beat New York on turnover,

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US impressionists down as home economy sags [24 Aug 2003]

Hammer prices for US impressionists have slumped in the last six months, as the local American demand that usually supports the market has dried up. In the last three years the school’s price index has fallen by 33%.

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Pierre Soulages (1919) [19 Aug 2003]

The Bibliothèque Nationale de France is currently hosting the first-ever virtually complete retrospective of Soulages’s engravings, which make up almost three quarters of its works sold at auction.

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AMERICAN POP ART: +160% in 10 years [12 Aug 2003]

Pop art blurred the lines between fine art and its commercial cousin — an astute business move, apparently, as prices at auction now spiral beyond the reach of many collectors.

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Tom Wesselmann (born 1931) [11 Aug 2003]

In 2002, with the « Great American Nude #44 », Tom Wesselman was one of the 5 Pop’Art artists who set a new record. But, such record apart, 80% of Wesselmann’s works go for less than USD 15,000

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Contemporary photographers rise in the east [03 Aug 2003]

A wave of enthusiasm among younger generation collectors has driven contemporary photography prices up by 92% in less than six years, an annual growth rate of more than 12.7%. This kind of speculative rally used to be the preserve of big name German and US photographers, but in the last few months the market seems to have been led by less renowned artists of other nationalities.

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Market trends since last summer [28 Jul 2003]

The structure of the world’s art market has continued to mutate over the last 12 months or so. Though the climate that offers little prospect of growth, a few countries have been able to grab market share. A drift away from the US and towards France and the UK was first apparent in 2001, and has continued unabated in the last year.

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Prices kept rising in the first half of 2003 [27 Jul 2003]

While the world’s stock markets have languished, at least until President Bush declared the end of combat operations in Iraq, art market prices have been rising uninterruptedly since the start of the year. The only noticeable impact of the Iraq war has been a fall in volume.

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The top artists from the London summer auctions [21 Jul 2003]

Sotheby’s and Christie’s held their London Impressionist and Modern Art auctions on 23-24 June. With over 80% lots sold and a turnover of GBP 63 million at two evening sessions, the auctions were encouraging without being spectacular.

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Which countries are driving the rise in prices? [10 Jul 2003]

Although art market prices have been rising again this season only 116 lots topped the million euro mark in the first six months of 2003, compared to 164 in the same period last year.

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Ansel Adams (1902-1984) [09 Jul 2003]

A touring exhibition, Ansel Adams at 100, celebrating the centenary of the US photography master, opened in his home town of San Francisco in 2001, and is now showing at the Museum of Modern Art Queens (New-York) until November 2003. Adams is the fifth biggest-selling photographer at auction.

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How does the French contemporary art market measure up today? [30 Jun 2003]

Since it reformed its auctioneers, France has increased its share of the auction market from 7% of worldwide turnover in 2001, to 8.6% in 2002. Yet growth in the wider sector has done little for the contemporary art market. France only generated 4.5% of the proceeds from contemporary artworks in 2002.

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Rembrandt Van Rijn (1606-1669) [25 Jun 2003]

This master of the Dutch School, had a prolific output, with some 600 paintings, 300 prints and 1,400 drawings. But barely a dozen have been seen in auction rooms in the last ten years.

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Art market cycles [19 Jun 2003]

The international auction calendar is the main driver of the art market cycle. The heart of the market shifts week by week, largely in line with what auctions are coming up on the three leading markets in France, the US and the UK.

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Jean-Michel Basquiat (1960-1988) [18 Jun 2003]

A year after his premature death in 1989, Basquiat’s paintings were already fetching USD400 000 at auction. In 2002, Profit I sold for USD5 million

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How do the art market heavyweights measure up? [15 Jun 2003]

The world’s top ten artists by turnover (see rankings) generated USD506 million at auction in 2002. With only 1.7% of total transaction volumes they represent 20% of the art market.

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Cy Twombly (1928) [10 Jun 2003]

A major exhibition takes to the road this year to celebrate US artist Cy Twombly’s works on paper. But on the auction floor, his paper works still seem to leave collectors cold.

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Hans Arp (1887-1966) [26 May 2003]

Auctioneers Calmels-Cohen are to break up the collection assembled by Hans Arp’s brother, François Arp. The Dada artist’s price index has gained 56% since 1997 and a new record for his work was set at the recent Breton sale.

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A revival in the contemporary art market? [20 May 2003]

Excellent results from the contemporary art auctions in New York on 13-14 May 2003. After a worthy but slow start as Sotheby’s turned over USD27.4 million the first evening, Christie’s hosted a hectic sale the next day that brought in USD68.8 million.

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Robert Rauschenberg (1925) [15 May 2003]

After a decade of stagnation the prices of the first American artist to win the Venice Biennale are finally rising again

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Thomas Ruff (1958) [06 May 2003]

Thomas Ruff is, with Andreas Gursky and Thomas Struth, one of the stars of German contemporary photography. He had his first success at auction in the late 1990s. But after the boom of 2001, the market for his work seems to have subsided.

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Max Beckmann (1884-1950) [04 May 2003]

After the Georges Pompidou Centre in Paris and the Tate Modern in London, it is MoMA’s turn to welcome the Beckmann retrospective from 26 June 2003. Beckmann is renowned in the auction world as the holder of the world record price for a German painting.

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Star turns at the Impressionism & Modern Art auctions in New York [16 Apr 2003]

Sotheby’s and Christie’s are taking similar approaches to the evening auctions to be held on 6 and 7 May. Both are banking on Renoir and Degas from the impressionists, dropping Picasso, and hoping to continue selling Giacometti sculptures in bulk. Some of the works on offer may seem oddly familiar…

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POP ART made in France [15 Apr 2003]

Although pop art has so far only reached its full potential in the United States, the movement also has roots in Europe. Now, the market is starting to remember.

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Art Market Trends 2002 [14 Apr 2003]

Art Martket Trends 2002 Contents Artprice Global Index 2002: +4.3% No speculative bubble in the art market The market segments: fine art categories and prices Market overview: weight by country Top 100 auction records 2002 Ranking of artists by auction turnover: the top 100 Contemporary art market: the Anglo-Saxons lead the pack   14 pages […]

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Ando Hiroshige (1797 – 1858) [10 Apr 2003]

Like his immediate predecessor Katsushika Hokusai, Utagawa Hiroshige is one of Japan’s leading landscapists. Single prints are affordable. Full series set records.

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The second School of Paris at the forefront of modern art sales [07 Apr 2003]

Paris, 2 April 2003 – Christie’s scores a hit with a lively modern art sale: 100% of lots sold, turnover of EUR2.6 million.

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Fernand Léger (1881-1955) [06 Apr 2003]

His high turnover, regular retrospective shows and diverse output have set off an explosion in the prices paid for Fernand Léger’s work. His price index has doubled in five years.

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Contemporary Chinese art: dwindling supply puts upward pressure on auction prices [06 Apr 2003]

The major auctions of contemporary Chinese art traditionally take place in April and October and, for several years, Christie’s has outdone its main rival, Sotheby’s, in this segment.

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Vincent Van Gogh (1853 – 1890) [01 Apr 2003]

The market’s highest priced artist, Vincent Van Gogh, was perfect for the speculative frenzy of the late eighties. Now, his major pieces have all but vanished from the market. But this has not stopped investors speculating on his canvases.

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