Yayoi KUSAMA (1929)

Yayoi Kusama was born in Matsumoto, Japan, in 1929. As of 1977, she has regularly resided in a Japanese psychiatric facility where she has a workshop. After an education in traditional and modern painting, Kusuma moved to New York in 1958 and mixed with some of the major artists of the city’s avant-garde, including Yves Klein, Andy Warhol and Donal Judd. A fervent activist for sexual freedom and women’s rights, she made her mark on 1960s New York with naked happenings in iconic locations. She participated indirectly in the Psychedelic and Pop Art movements of the time and painted her first Infinity Nets (large monochromes with obsessively repetitive and yet random patterns). Prone to visual hallucinations since childhood, her “psychosomatic” art is dominated by coloured peas and quasi-phallic forms in immersive works and installations. In 2019, Her Pumpkin (Twpot) – from her Pumkins series – sold for $7 million at Sotheby’s in Hong Kong. Considered one of the world’s most influential artists, Kusama’s work is collected and exhibited in prestigious museums and her work is highly appreciated by the public. In 2017, she opened her own museum in Tokyo, substantially contributing to her popularity.


Shanghai is a superb artistic destination this November with – among other events– the inauguration of the Shanghai branch of the Pompidou Center… a Pierre Soulages exhibition at the city’s Perrotin Gallery… Zhou Chunya at the Long Museum… and the prestigious West Bund Art & Design Fair (7-10 November). Image Courtesy of West Bund Art […]

Yayoi Kusama at the Louis Vuitton Foundation After London, it’s now Paris’s turn to host one of the famous immersive creations by the grand old dame of Japanese artist. In the framework of what the Foundation is calling “The Collection of the Foundation. A Vision for Painting” the museum is presenting Infinity Mirror Room – […]

A number of Japanese collectors are highly active on the world’s major art marketplaces. Cultured and informed, they are interested in Western Art’s key historical figures (especially the Impressionists and Moderns) but also provide strong support for their compatriots. And, although these collectors spend a lot on Western masterpieces (acquired in London, New York or […]

Art Geneva is growing This year Art Geneva will host 90 galleries versus 86 in 2018. The fair is expanding, but according to its director Thomas Hug, who has steered the fair towards a solid reputation in seven years of existence, the fair wishes to maintain a ‘reasonable’ format. The fair’s good reputation is primarily […]

Although women account for half of the world’s population (and therefore half of the world’s intelligence, sensitivity and inspiration…), they are still substantially under-represented on the global Art Market. Looking back, women did not become a regular part of art history’s narrative until the end of the 19th century. However, today’s secondary art market is […]