Pascale Marthine TAYOU (1967)
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In Miami traces of damage caused by Hurricane Irma have been erased. The city looks like it’s had a face-lift and the galleries and museums have reopened in preparation for a massive inflow of art lovers from all over the planet. Thousands of artists, tens of thousands of works … This week marks the opening […]
Evidence of the ‘emergence’ of African-origin artists is currently palpable, particularly in France where several major dedicated exhibitions have been organised in recent years. Beauty Congo at the Cartier Foundation (2015) and Art / Africa at the Vuitton Foundation (2017) both managed to show the extraordinary diversity of African art and expand its audience. Carried […]
Every fortnight, Artprice provides a short round up of art market news: William Wegman, « Sometimes it’s the dog who makes the picture » – A work from Pascale Marthine Tayou blown up – Marlène Dumas, The Image as Burden.
With more than ninety galleries from eighteen countries in attendance, the sixth edition of SH Contemporary came to a close this Sunday, 9 September.
The first decade of the new millennium saw the emergence on the global art market of contemporary art from Latin-America, China, Korea, Japan, Russia, Turkey and the Middle-East. By comparison, African art has been very slow to emerge… but for how long?